The jubilee period occurred from the late nineteenth and early twentieth century as a way for Black colleges to gain support for their financial hardships. Fisk University, also known as the Fisk Jubilee Singers, was the first university to establish a tour to provide a financial cushion. Because of this, the establishment of other university quartets helped to reinforce the popularity of quartets. The quartets consisted of male and female a capella ensemble of four to six voices that perform formal arrangements in close four-part harmony, with rhythmic style of singing. African-American quartets quickly caught attention, due to their musical styles; which incorporated blue notes, hocket, and melisma. Minstrel jubilee, community-based quartets, sacred harp, and gospel quartets are the different forms of quartets and they all expressed various styles of singing.

As time progressed, the commodification of quartets led to radio broadcasting, touring, and a crossover phenomena. In the twentieth century, the quartet evolved into a sub-genre of gospel music and assisted with the evolution of secular and sacred music.