- Holmes, Jeffrey. “Migos and the balancing act of culture.” UWIRE Text (2017): 1-1.
https://go.gale.com/ps/i.do?p=AONE&sw=w&issn=&v=2.1&it=r&id=GALE%7CA555910408&sid=googleScholar&linkaccess=abs&userGroupName=anon%7E9ab49af0 - Wilson, Natalie. “Rap Music as a Positive Influence on Black Youth and American Politics.” (2018).
- https://scholarcommons.scu.edu/cgi/viewcontent.cgi?article=1021&context=engl_176
- Drew, Ashley. “Changes in Hip-Hop: A Look at” Mumble Rap”.” (2019).
- https://escholarship.org/content/qt3r08t6w0/qt3r08t6w0.pdf
- Kaluža, Jernej. “Reality of Trap: Trap music and its emancipatory potential.” IAFOR Journal of Media, Communication & Film 5.1 (2018): 23-42.
- https://www.researchgate.net/profile/Jernej-Kaluza/publication/327077740_Reality_of_Trap_Trap_Music_and_its_Emancipatory_Potential/links/5b7ed480a6fdcc5f8b60ce5c/Reality-of-Trap-Trap-Music-and-its-Emancipatory-Potential.pdf?_sg%5B0%5D=started_experiment_milestone&origin=journalDetail&_rtd=e30%3D
- Komaniecki, Robert. Analyzing the Parameters of Flow in Rap Music. Diss. Indiana University, 2019.
- https://search.proquest.com/openview/f200d01d795182718d2713dd7f5b05c1/1?pq-origsite=gscholar&cbl=18750&diss=y
- Liu, J. (2021). Language, identity and unintelligibility: A case study of the rap group Higher Brothers. East Asian Journal of Popular Culture, 7(1), 43-59.
- https://intellectdiscover.com/content/journals/10.1386/eapc_00038_1