Negro spirituals are songs created by the Africans who were captured and brought to the United States to be sold into slavery. This stolen race was deprived of their languages, families, and cultures; yet, their masters could not take away their music. The songs were also used to communicate with one another without the knowledge of their masters. This was particularly the case when a slave was planning to escape bondage and to seek freedom via the Underground Railroad. Over the years, these slaves and their descendants adopted Christianity, the religion of their masters.  They re-shaped it into a deeply personal way of dealing with the oppression of their enslavement. They sang of the Hebrew children and Joshua at the battle of Jericho. They could tell you about Mary, Jesus, God, and the Devil. If you stood around long enough, you’d hear a song about the blind man seeing, God troubling the water, Ezekiel seeing a wheel, Jesus being crucified and raised from the dead. If slaves couldn’t read the Bible, they would memorize Biblical stories they heard and translate them into songs.

Spirituals were created extemporaneously and were passed orally from person to person. These folksongs were improvised as suited the singers. There is record of approximately 6,000 spirituals or sorrow songs however, the oral tradition of the slaves’ ancestors and the prohibition against slaves learning to read or write meant that the actual number of songs is unknown. Some of the best known spirituals include: “Sometimes I Feel Like a Motherless Child,” “Nobody Knows The Trouble I’ve Seen”, “Steal Away,” “Swing Low, Sweet Chariot,” “Go Down, Moses,” “He’s Got the Whole World in His Hand,” “Every Time I Feel the Spirit,” “Let Us Break Bread Together on Our Knees,” and “Wade in the Water.” It was soon common for recitals to end with a group of spirituals. Musicians such as Roland Hayes and Marian Anderson made these songs a part of their repertoires.