Tabernacle Choir Hope World Tour: State Farm Arena w/ Morehouse and Spelman Glee Clubs

Concert Report: Tabernacle Choir Hope World Tour at State Farm Arena

The Tabernacle Choir’s Hope World Tour reached a significant milestone on September 14, 2024, with a performance at State Farm Arena in Atlanta, Georgia. This concert, starting promptly at 7:00 PM, featured a collaboration with the Morehouse College Glee Club and the Spelman College Glee Club, creating a rich, multifaceted musical experience. The arena, a renowned venue for its superb acoustics and expansive seating capacity of over 16,000 for this grand choral event.

Description of the Concert

Opening Performance

The evening commenced with Beethoven’s “Ode to Joy,” performed with the full force of the Tabernacle Choir accompanied by a live orchestra. The choir, positioned across the stage in a semi-circular formation, executed the piece with a remarkable sense of unity and power. The orchestral support was precise, with the brass and string sections enhancing the choral impact. The dynamic contrasts between the sections created a compelling narrative, beginning with a serene, introspective introduction and culminating in a triumphant, exuberant finale.

Spirituals and Gospel Hymns

Following this, the program transitioned to a series of spirituals and gospel hymns. “Amazing Grace” was performed with particular emphasis on emotional depth. The soloist, a tenor with a clear and expressive voice, delivered a rendition that was both poignant and technically accomplished. The choir’s harmonies provided a rich backdrop, blending seamlessly with the soloist’s performance. The arrangement featured a crescendo that built up to a powerful climax, followed by a delicate and reflective conclusion. 

Performance Review

The setting feels impersonal. We have black students, from a historically black college, singing negro spirituals. Yet, it doesn’t move me. I don’t feel it in my soul. Not in the same way I feel it at church or from random recordings on YouTube. It feels performative because the choir doesn’t seem to be moved. “Wade in the Water” is a perfect example. When I listen to “Wade in the Water” it’s dark and moody, not in a bad way, it’s deep. It makes you feel how our ancestor felt, so seeing the performers smiling makes it feel fake. Albeit, negro spirituals sung in an upbeat manner could be a way to celebrate our culture, but it still feels wrong. I did enjoy the performance. The students are all talented and I noticed that even the ones that weren’t “singing” still contributed a lot to the entire performance. That is something I never considered in music. I didn’t enjoy the performance style. I thought it was very basic, but that is how choir tends to be. I would have enjoyed more color, more spectacular lighting. For example, the lighting should also be apart of the show. It should change with the mood and tone of the performance. Dimming when needed, brightening in every perfect moment. Perhaps the people in charge of lighting should be in on the show and the meaning of certain songs. Then they’re not just some people working on lights. They’ll understand when certain colors, brightness, and effects should be used. Although, choir may just be about embracing the music. There isn’t anything complicated about choir. Just their raw, talented voices, and some instruments. 

Collaborative Performances

Morehouse College Glee Club

The Morehouse College Glee Club joined the Tabernacle Choir for a performance of “Lift Every Voice and Sing.” The glee club members, dressed in their traditional black and gold attire, were positioned on stage left. Their contribution was marked by a robust and resonant sound, with their baritones and tenors providing a rich counterpoint to the choir’s voices. The blend of the Morehouse Glee Club’s vibrant timbres with the Tabernacle Choir’s full-bodied sound created a layered, intricate performance. The arrangement highlighted the glee club’s strong choral traditions, with both ensembles delivering the piece with fervor and unity.

Spelman College Glee Club

The Spelman College Glee Club’s performance of “Wade in the Water” was another highlight of the evening. The glee club, known for its vibrant and expressive style, contributed a distinct color to the concert. Their sopranos and altos, positioned at stage right, delivered the piece with a fluidity and rhythmic precision that complemented the choir’s more expansive sound. The arrangement featured call-and-response sections that showcased the glee club’s vocal agility and the choir’s ability to support and enhance these passages. The dynamic interplay between the two groups created a powerful and engaging performance.

Technical and Musical Aspects

The concert benefited greatly from the State Farm Arena’s acoustics, which allowed for a clear and balanced sound. The sound engineering team effectively managed the acoustic challenges of the large venue, ensuring that each section of the choir and glee clubs was distinctly heard. The spatial arrangement of the ensembles on stage facilitated a cohesive sound, with the choir’s expansive voices blending smoothly with the glee clubs’ contributions.

The lighting design also played a role in enhancing the concert experience. The stage was bathed in a warm, ambient light that highlighted the performers without overpowering their presence. Subtle changes in lighting accompanied different pieces, enhancing the emotional impact of the music.

Audience Response

The audience’s engagement was enthusiastic and appreciative throughout the evening. The large crowd, reflecting a diverse demographic, responded with frequent applause and vocal appreciation, particularly during the collaborative performances. The atmosphere in the arena was one of shared excitement and admiration, contributing to the overall energy of the event. The concert’s ability to connect with such a broad audience underscored the power of choral music in creating communal experiences.

Conclusion

The Tabernacle Choir’s performance at State Farm Arena, enriched by the contributions of the Morehouse College Glee Club and the Spelman College Glee Club, was a celebration of choral music’s ability to inspire and unite. The concert demonstrated exceptional musicality and technical skill, with each ensemble contributing uniquely to the evening’s success. The performance left a lasting impression on the audience, highlighting the profound impact of live choral music in a grand and resonant setting.

 
 
 
 
 
 
 

SONGS

The Tabernacle Choir World Tour • State Farm Arena • Atlanta, Georgia

with Morehouse College Glee Club, Dr. David Morrow, Director
 
Spelman College Glee Club, Dr. Kevin Johnson, Director
 
 

Mack Wilberg
Music Director
Ryan Murphy
Associate Music Director


Songs of Praise
Alleluia Fanfare / Praise to the Lord, the Almighty
Music: from Stralsund Gesangbuch
Lyrics: Joachim Neander; trans. Catherine Winkworth
arr. Mack Wilberg


With Joyful Voices Ringing
Music: Irish Folksong
Lyrics: William George Tarrant
arr. Mack Wilberg


Three Alleluias
How Excellent Thy Name and Alleluia, from “Saul”
Music: George Frideric Handel


Alleluias
Alleluia
Music: attr. Giulio Caccini
arr. Mack Wilberg


Alleluia, from Psalm 150
Music: Alberto Ginastera


Songs of the World
¡Ah, el novio no quere dinero! (Spain)
Sephardic wedding song
arr. Mack Wilberg


Gamelan (Indonesia)
Music: R. Murray Schafer


Cindy (United States)
American folk song
arr. Mack Wilberg


Songs of Believers
Music Everywhere
Music: Ryan Murphy
Lyrics: adapted from S. W. Foster


In the Garden
American folk hymn
Lyrics: C. Austin Miles
arr. Ryan Murphy


To God Be the Glory
Music: William Howard Doane
Lyrics: Fanny Crosby
arr. Ryan Murphy


Songs of Celebration, Praise, and Peace
Great and Glorious
Morehouse College Glee Club
Music: Franz Joseph Haydn
Lyrics: Joseph S. Daltry


I Ain’t Got Weary Yet
Morehouse College Glee Club
Music and Lyrics: Traditional Spiritual
arr. Courtney Carey


Spelman College Glee Club
MEDLEY (3 songs)

 

Wade in the Water
Music and Lyrics: Traditional Spiritual
arr. Kevin Phillip Johnson


Children Go Where I Send Thee
Music and Lyrics: African American Spiritual
Rap crafted by Ayana Davis
arr. Kevin Phillip Johnson
 


A Choice to Change the World
Music: Kevin Phillip Johnson
Lyrics: Sarah Stephens
 


Songs for the People
Combined Choirs
Music: Kevin Johnson
Lyrics: Frances Ellen Watkins Harper
arr. Mack Wilberg


Come Thou Fount of Every Blessing
Combined Choirs
Music: American Folk Tune
Lyrics: Robert Robinson
arr. Mack Wilberg
 


Songs of Hope
Battle Hymn of the Republic
Music: American Hymn Tune
Lyrics: Julia Ward Howe
arr. Peter Wilhousky


 

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