Student Critique - India Bey
Aubrey Drake Graham journey born on October 24th, 1986, to his white, Jewish mother and Black Father.
Former child-actor, entrepreneur, philanthropist, singer-songwriter, and now the 12th biggest artist in the world since dropping out of high school at the age of 15.
Recently, after never really seeing the appeal, I’ve become a Drake fan. More specifically, a fan of his old music.
Like many fans of literally anything, we enjoy their older works. I love the way “Old Drake” sounds. Most of his older music is very melodic and catchy.
While I understand that people change, and what they’ve done before isn’t what they’ll do now. I still prefer old drake.
Helen Folasade Adu, also know as Sade, is a Nigerian-born British singer. Born January 16, 1959, to her Nigerian Father and English mother, who met in London at the London School of Economics and Political Science.
During her childhood she listened to Curtis Mayfield, Donny Hathaway, and Bill Withers. Her musical influences are mainly R&B artists from the 1970s, like Marvin Gaye and Nina Simone. “I was more fascinated by the audience than by anything that was going on the stage. They’d attracted kids, mothers with children, old people, white, black. I was really moved. That’s the audience I’ve always aimed for.”
Sade wasn’t originally interested in music. Having enrolled at the Central St. Martins College of Art and Design in London to Pursue fashion and design.
Fred Durst, as the frontman of Limp Bizkit, played a pivotal role in the nu-metal movement of the late ’90s and early 2000s. His music is marked by a fusion of rap, rock, and metal, which resonated with a generation seeking an aggressive outlet for their frustrations. Songs like “Break Stuff” and “Nookie” capture raw energy and angst, often combining catchy hooks with heavy guitar riffs.
However, Durst’s lyrical content often draws criticism for being simplistic and occasionally juvenile, focusing heavily on themes of rebellion, heartbreak, and self-indulgence. While this approach can be seen as relatable to some fans, others view it as lacking depth and maturity.
Musically, Limp Bizkit’s sound can feel formulaic, relying on the same dynamics and structures that defined their early hits. This repetitiveness has led some to perceive their work as a product of its time, with limited evolution in their later albums.
Despite these critiques, Durst’s impact on the music scene is undeniable. He captured a specific cultural moment, and his ability to merge genres paved the way for many artists. While his music may not resonate with everyone, it remains a significant chapter in the history of rock and rap crossover.
Frankie Beverly, primarily known for his work with the band Maze, is celebrated for his smooth blend of soul, R&B, and funk. His music is marked by rich melodies and heartfelt lyrics, often exploring themes of love, joy, and resilience. Songs like “Before I Let Go” and “Joy and Pain” showcase his ability to create infectious grooves that invite listeners to dance while also evoking deep emotional connections.
One of Beverly’s strengths is his distinctive vocal style, which combines warmth with a powerful expressiveness that resonates deeply. His arrangements often feature lush instrumentation, creating a timeless sound that stands out in the soul genre.
However, some critics argue that Maze’s music can occasionally lean towards the formulaic, with similar song structures and themes throughout their discography. While this consistency can be comforting, it may also limit the band’s appeal to those seeking more experimental or diverse sounds.
Overall, Frankie Beverly’s contributions to music are significant, with a legacy that continues to influence contemporary artists. His ability to blend joyful rhythms with poignant lyrics ensures that his music remains a beloved staple in the soul and R&B canon.
