Son of Sacred, Son of Secular

Eddie James “Son” House lived from 1902-1988 and grew to become one of the most notable Blues musicians. He was a preacher at times, and a juke house blues artists at others, but began his music performances to those in local jukebox audiences. As he began to gain fame during the ’60s, he would occasionally incorporate acapella gospel in his nighttime life after preaching during the day.

The song above, “Death Letter Blues” is just one example of House’s signature use of slide guitar. This song tells the story of a man who receives a letter notifying him of his significant other’s death. Through his technique, his guitar aids in showcases the deep emotion that comes with such news. It is a clear example of how blues is both an art form and an outlet for personal expression. The song is one of his most famous pieces, which has been continued to be covered by other artists, therefore becoming a timeless piece.

House was inducted into the Blues Hall of Fame in 1980. As he helped pioneer the renewed interest in Delta style Blues, his induction did not only celebrate his storytelling and style, but also his prominence in shaping the future generations of the genre. He has influenced following musicians such as Eric Clapton and Muddy Waters, but also touched the lives of many, especially through this recognition. If you’re going to talk blues, it is imperative that you mention the name Son House, a son of sacred and a soul of secular.

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