Coon Songs, Cakewalks, & Minstrel Shows: Rag Era

By Niara Keyes

Cakewalks, Coon songs and Minstrel shows all became popularized during the era of Ragtime. Ragtime was prominent within the African American community, long before it was given a name. Ragtime’s widespread period of popularity began in the late 1890’s to the early 1920s. Ragtime is known for its roots in the African American community, but was influenced by early jazz and classical music, incorporating not only African American characteristics, but European American as well.

Ragtime is known for it’s incorporation of dance, song and syncopated instrumental music. Syncopation is the heart of Ragtime. The music evokes excitement and happiness. It encourages movement, which I presume led to the Cakewalk. The earliest recording of an African American was that of George Johnson. He recorded The Whistling Coon on the phonograph in 1891. As the twentieth century emerged a new kind of music evolved, Jazz. Jazz had a similar denominator as Ragtime, syncopation. Ragtime and Jazz began to be used interchangeably, proving that you couldn’t have Jazz, without the influence of Ragtime.

Ragtime was popularized during a rough era in history, in regards to African American livelihood. Racism was alive, well and flourishing as time went on. A brief understanding of the social implications of the time, can be summed up in a description of Coon Songs and Minstrel shows. Minstrel shows, performed by whites in blackface, or Blacks acting as whites in blackface, depicted African Americans in a lazy, dishonest, violent and sexual promiscuous manner. Coon Songs, contained lyrics that contributed to the stereotypical narrative being popularized at the time.

Ragtime’ s influence in Jazz is why I am so appreciative. Smooth Jazz is what I listened to on early Saturday mornings. Furthermore, the advancement of Jazz due to the impact and influence of African Americans creating Ragtime is unexplainable. African Americans have continuously found their way, through very troubled times. It is that reason, that my opinions of Ragtime, will maintain a positive outlook.

 

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nkeyes

Bibliography

Cole, Maria, and Louie Robinson. Nat King Cole; an Intimate Biography. W. Morrow, 1971. Epstein, Daniel Mark. Nat King Cole. Farrar, Straus and Giroux, 1999. Haskins, James,

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Niara Keyes’s IME

Introduction My name is Niara Keyes. I am a sophomore, Political Science major, Chinese minor, from Minneapolis, Minnesota. Mindset My mindset this Spring semester is

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