Cardany, Audrey Berger. “Muddy Waters: His Life and Music.” General Music Today, vol. 31, no. 3, Apr. 2018, pp. 73–79. EBSCOhost, doi:10.1177/1048371318756626.

Cowley, John. “Really the ‘Walking Blues’: Son House, Muddy Waters, Robert Johnson and the Development of a Traditional Blues.” Popular Music, vol. 1, 1981, pp. 57–72. JSTOR, www.jstor.org/stable/853243.

Ferris, William. “Blue Roots and Development.” The Black Perspective in Music, vol. 2, no. 2, 1974, pp. 122–127. JSTOR, www.jstor.org/stable/1214229.

First, David. “It’s for You: Muddy Waters’s ‘Long Distance Call’ and How Delta Blues Re-Set the Controls for the Heart of the Earth.” Leonardo Music Journal, vol. 22, 2012, pp. 79–84., www.jstor.org/stable/23343815.

Goven, Jennifer (2005) “From the Delta to Chicago: Muddy Waters’ Downhome Blues and the Shaping of African-American Urban Identity in Post World War II Chicago,” McNair Scholars Journal: Vol. 9: Iss. 1, Article 8. Available at: http://scholarworks.gvsu.edu/mcnair/vol9/iss1/8

Hellmann, John M. “‘I’m a Monkey’: The Influence of the Black American Blues Argot on the Rolling Stones.” The Journal of American Folklore, vol. 86, no. 342, 1973, pp. 367–373. JSTOR, www.jstor.org/stable/539360.

“Redefining the Music Industry: Independent Music in Chicago, 1948–1953.” The Black Musician and the White City: Race and Music in Chicago, 1900-1967, by Amy Absher, University of Michigan Press, Ann Arbor, 2014, pp. 82–97. JSTOR, www.jstor.org/stable/j.ctv3znzb4.7.