Estes-Hicks, Onita. “The Way We Were: Precious Memories of the Black Segregated South.” African American Review, vol. 27, no. 1, 1993, pp. 9–18. JSTOR, JSTOR, www.jstor.org/stable/3042034.

 

Willhelm, Sidney, and Gideon Sjoberg. “The Social Characteristics of Entertainers.” Social Forces, vol. 37, no. 1, 1958, pp. 71–76. JSTOR, JSTOR, www.jstor.org/stable/2573783.

 

Willhelm, Sidney, and Gideon Sjoberg. “The Social Characteristics of Entertainers.” Social Forces, vol. 37, no. 1, 1958, pp. 71–76. JSTOR, JSTOR, www.jstor.org/stable/2573783.

 

Willhelm, Sidney, and Gideon Sjoberg. “The Social Characteristics of Entertainers.” Social Forces, vol. 37, no. 1, 1958, pp. 71–76. JSTOR, JSTOR, www.jstor.org/stable/2573783.

 

“Festivals.” The Musical Times, vol. 112, no. 1544, 1971, pp. 985–992. JSTOR, JSTOR, www.jstor.org/stable/955072.

 

Jefferson, Miles. “The Negro on Broadway, 1956-1957.” The Phylon Quarterly, vol. 18, no. 3, 1957, pp. 286–295. JSTOR, JSTOR, www.jstor.org/stable/272983.

 

Harris, Laura Alexandra. “Queer Black Feminism: The Pleasure Principle.” Feminist Review, no. 54, 1996, pp. 3–30. JSTOR, JSTOR, www.jstor.org/stable/1395608.

Eartha Kitt Biography Outline

 

  1. Artist Background (intro)
  1. Artist on the rise
  1. Artist Later years
  1. Legacy of Artist (conclusion)

By: Alyssia Santiago