Blog – Black Music Scholar

1950s

Ornette Coleman and Free Jazz

Cheyenne Robinson December 12, 2022

1860s

Insight into the Composers, Conductors, and Musical Performers

Cheyenne Robinson December 12, 2022

The 1970's

Impact of DJing

Sefanit Abbi December 11, 2022

1950s

Brunswick Records

Nia Butler December 11, 2022

1940s

Capitol Records: The History and Impact

Cheyenne Robinson December 11, 2022

Z-Blog Post

Joint Post with other students this semester

Sydney Lampkins December 9, 2022

Z-Blog Post

Hip- Hop

Amaya Starks December 9, 2022

Z-Blog Post

The Blues

Amaya Starks December 9, 2022

Z-Blog Post

Gospel

Amaya Starks December 9, 2022

artist biography

The Original Queen Bee: Lil’ Kim

Rayjnai King December 7, 2022

Z-Blog Post

Negro Spirituals

Amaya Starks December 5, 2022

1730s

The Sound Of New Orleans

Rayjnai King December 4, 2022

1960s

Father of Funk

Rayjnai King December 4, 2022

1960s

The History of Graffiti

Rayjnai King December 4, 2022

Z-Blog Post

Anita “Songstress” Baker

Sequoia Simmons December 2, 2022

elementor

New Orleans Jazz

Kecia Bass December 2, 2022

Z-Blog Post

The Life of Sallie Martin

Laryaha Logan December 1, 2022

1980s

Disco/Funk in the 70s/80s

Dakota Teasdell December 1, 2022

Bibliography

Constellation Records

Kecia Bass November 30, 2022

Disco

Disco and funk

Kecia Bass November 30, 2022

Ornette Coleman and Free Jazz

Insight into the Composers, Conductors, and Musical Performers

Impact of DJing

Brunswick Records

Capitol Records: The History and Impact

Joint Post with other students this semester

Hip- Hop

The Blues

Gospel

The Original Queen Bee: Lil’ Kim

Negro Spirituals

The Sound Of New Orleans

Father of Funk

The History of Graffiti

Anita “Songstress” Baker

New Orleans Jazz

The Life of Sallie Martin

Disco/Funk in the 70s/80s

Constellation Records

Disco and funk

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