Music has served as an outlet and refuge, for the African American community. Folk music set the foundation of black music. It is the premise to negro spirituals, and so forth. Folk music ultimately would develop into negro spirituals as the introduction of religion made it’s way to slaves. Because the writers of many spirituals were unknown as a result of oral tradition and displacement as a result of enslavement, it is not until the nineteenth century the first spirituals were recorded physically. Some of the first black composers to arrange spirituals physically were Charles Albert Tindley, Harry Thacker Burleigh, and John Rosamond Johnson. The first to copyright church songs, Tindley took negro spirituals and turned them into gospel songs. Negro spirituals were usually sang together and used a way of unifying slaves. Many negro spirituals were recorded by slave masters or white people in general. Due to this the negro spirituals that we know today, could have been slightly or significantly different. Some of the most notable negro spirituals include “Wade in the Water” and “Amazing Grace”.