A Blend of Sacred and Secular
Urban Contemporary Gospel and It's Impact




The Great Migration not only expanded the locations of prominent Black communities across the nation but musical ranges of certain sacred genres. Starting in the 60s and 70s a new branch of gospel was sang in the church. Never losing the worshiping lyrics or various vocal ranges, a new undertone was introduced to the gospel world creating what we know as contemporary gospel.
As African Americans spread all over the country developing their new churches the influences of the cities around them began to take a role in the gospel music sang. The genres of jazz and blues were the earliest that seeped through the pews and into the choir. In other cities especially in modern day contemporary gospel rap and RnB can be seen in performances and in the music itself. Groups like MaryMary and God’s Property are known for their soulful and unique versus and portrayals. Some churches even put on performances during services with their own rendition of the classics including Maryland’s own First Baptist Church of Glenarden choir.
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Though the new editions to the traditional gospel genre lean towards a more secular position the artists, choirs, and communities have never failed to pay homage those that came before them. Taking on new genres and mixing them in show progression while also appreciate those who originally sang the Negro Spirituals. The integration of the various genres that African Americans have overwhelming influence and success in show that the hopes and prayers through song that enslaved sang has proven to create a beautiful outcome of creativity and community in modern times.